Learning Outcomes
Each level at Encore has been developed with defined learning outcomes in the areas of performance, technique and practical musicianship so that the student or their parents can understand what they would accomplish on completion of each level.
At the end of each level, the student would have the knowledge and technical expertise required to attempt the graded exam equivalent to that level.
The level-wise learning outcomes and the expectations during the graded exams are as described below:
Foundation, Beginner & Advanced Beginner Levels | Grades 1,2,3
Performance
- Apply skills, knowledge and understanding to present performances that demonstrate careful preparation, musical awareness and the beginning of thoughtful interpretation
- Perform with general security of pitch and rhythm, and with attention given to dynamics and articulation
- Maintain a reasonable sense of continuity in performance and convey the mood of the music in a variety of styles
Technique
- Demonstrate familiarity with the fundamentals of instrumental command
- Demonstrate technical control and facility within set tasks
Practical Musicianship
- Recognise and respond to simple elements of music in a practical context
- Demonstrate basic aural and musical awareness
Theory - Grade 1
- Write pitches neatly and correctly on treble and bass staves according to normal notational conventions
- Have a concept of ostinato, major scale, arpeggio, interval and tonic chord and be able to identify and write these in basic keys.
- Have a concept of both Roman numeral and chord symbol labelling of the tonic chord
- Understand the concept of rhythmic notation and metre, rhythmic relationship between note values and the conventional grouping of notes within simple time signatures
- Demonstrate a knowledge of a range of basic English and Italian terms
- Apply this knowledge by writing or correcting bars, using simple note values, and by analysis of a short piece.
Theory - Grades 2,3
- Identify and write a wider range of pitches on treble and bass staves, and apply them to writing sequences, major and minor scales, arpeggios, broken chords, intervals and triads up to two sharps and flats
- Have a concept of tonic and dominant and be able to demonstrate this by writing and identifying these triads in the major and minor keys given
- Able to transpose up or down an octave
- Demonstrate a knowledge of a range of English and Italian terms, an awareness of vocal range and show basic knowledge of certain instruments
- Write musical notation neatly and correctly with increasing control and facility
- Apply their knowledge for the grades by writing or correcting bars, using simple and compound note values, and by analysis of a piece.
Aural
- Clap the pulse on the third playing, stressing the strong beat
- Describe the dynamics, which will vary during the melody
- Identify the articulation as legato or staccato
- Identify the last note as higher or lower than the first note
- Identify where the change occurs
- Identify the change as rhythm or pitch
- Identify the tonality as major or minor
- Identify the final cadence as perfect or imperfect
- Identify the interval as minor or major second, minor or major third, perfect fourth or fifth, minor key minor or major sixth
- Identify the bar in which the change of pitch or rhythm occurred
Early Intermediate Level | Grades 4-5
Performance
- Support their intentions in musical performance
- Demonstrate an understanding of music that allows a degree of personal interpretation in performance
- Perform with general accuracy, technical fluency and musical awareness to convey musical character in a variety of styles
Technique
- Demonstrate a developing instrumental command
- Demonstrate technical control and facility within set tasks
Practical Musicianship
- Recognise and respond to elements of music in a practical context
- Demonstrate aural and musical awareness
Theory
- Use their knowledge, skills and understanding of theoretical concepts to support simple creative work (e.g. word-setting, and harmonisation of chords for SATB)
- Concept of supertonic, subdominant, dominant seventh chords
- Write a tune or a bass line to a given chord progression with an understanding of parallel octaves and fifths
- Transpose and to identify forms and cadences.
- Read and write in alto and tenor clefs
- Demonstrate an awareness of vocal range and show knowledge of a wider number of instruments
- Use conventional musical notation accurately, and will be able to apply their knowledge for the grades by writing or correcting bars, and by more detailed analysis of a longer piece
Aural
- Clap the pulse on the second playing, stressing the strong beat
- Identify the tonality as major or minor
- Identify the final cadence as perfect or imperfect
- Identify the interval as minor or major second, minor or major third, perfect fourth or fifth, minor or major sixth
- Identify the bar in which the change of pitch or rhythm occurred
- Identify the time signature
- Identify the changing tonality
- Identify the final cadence as perfect, plagal, imperfect or interrupted
- Identify the interval as minor or major second, minor or major third, perfect fourth or fifth, minor or major sixth, minor or major seventh or octave
- Identify the bar in which the change of pitch occurred
Intermediate & Late Intermediate Levels | Grades 6-8
Performance
- Integrate their musical skills, knowledge and understanding in performance
- Present secure and sustained performances that demonstrate some stylistic interpretation
- Perform with general accuracy, technical fluency and musical awareness to communicate musically in a variety of styles
Technique
- Demonstrate instrumental command
- Demonstrate technical control across the full compass of the instrument within set tasks
Practical Musicianship
- Recognise and respond to musical features in a practical context
- Demonstrate musical and stylistic awareness
Theory
- Integrate their knowledge, skills and understanding of theoretical concepts in analysis of Baroque (Grade 6), Baroque and Classical (Grade 7) and Baroque, Classical and Romantic (Grade 8) styles.
- Demonstrate understanding of form, instrumentation, texture and orchestration related to these periods of study.
- Have an understanding of the range and characteristics of instruments and will be able to write correctly for them
- Understand the concept of modulation and be able to use and identify methods by which composers modulate from one key to another.
- Recognise and use chromatic chords and secondary sevenths.
- Harmonise chorale phrases in the style of J S Bach.
- Write an original diatonic or non-diatonic melody
- Write a 12-bar blues progression and piano accompaniment.
- Use all aspects of conventional musical notation fluently and accurately to communicate their creative intentions, and will be able to offer short written notes
Aural
- Identify the time signature
- Comment on the dynamics
- Comment on the articulation
- Identify and comment on other characteristics of the piece
- Identify the key to which the music modulates as subdominant, dominant or relative minor
- Answers may alternatively be given as key names
- Locate and describe the changes as pitch or rhythm
Source: Trinity College London
